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Looking mainly at the years following the British victory in the second Boer War, from 1902 to 1930, Foster examines the influence of painting, writing, architecture, and photography on the construction of a shared, romanticized landscape subjectivity that was perceived as inseparable from "being South African," and thus helped forge the imagined community of white South Africa.
Ahoj! Som Libroamiko, tvoj knižný radca.
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