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Through an extended reading of the noh play "Aoi ne Ue", as well as briefer examinations of several other plays, this work aims to shed new li ght on the circulation of power and desire in the middle and late medieval periods in Japan. The author argues that, rather than simply mirroring the sociopolitical contexts in which they were performed, these plays constituted an active, productive force in the theater of the medieval cultural imaginary by engaging specific sociopolitical issues and problems. Neither reducing noh to its theatrical conventions nor abstracting its style and poetics from its performativity, the book reads noh differently, opening the performance text to its historically specific contexts. It aims not merely to recount the history of noh, but to investigate the history in noh, to explore the indecision as to the limit between the performance text of noh and its other.
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