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Citizen Warhol carries this inquiry forward by unpacking the lasting effects of Warhols most deep-seated inuences - his Byzantine-rite religiosity and its relationship to the retinue of Roman Catholics that starred in his lms and staffed his studio, his art training in an institutional crucible dominated by Andrew Carnegies Gilded Age theory of art, his powerful identication with Shirley Temples frolic in the adult world under the cover of childhood, his formative dalliance with the guilt-ridden sensibility of arch-decadent and Catholic convert Aubrey Beardsley, and his triumphs as a commercial artist working in a professional world still beholden to the Red Decade ideals of the 1930s as a cheaper Ben Shahn, the leading Social Realist artist.
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