Pubis

In short, it is a post/modern type of free verse that deliberately wants to resemble a haiku, and whose main theme is the image, that is, the possibility of a verse or a song to present a moment, that is, an intense image, both to the mind and to the senses. The motifs are of a sensual nature, with quite a subtle, i.e. sometimes explicitly sexual, content. In today's age when - a word speaks a thousand pictures - as the architect Krešimir Rogina once said, if I'm not mistaken, I believe that this approach with which I approached this manuscript can in a certain sense justify that thesis, but also bring balance between the image and words into a somewhat comparable position where neither loses its uniqueness nor falls under the dictates of the other. In any case, these are also songs that talk about what we all felt, what we all went through. They talk about that one fundamental trait that characterizes us as humans, as beings of desire and lust, as beings that lose and have to deal with transience and memories. In the end, a manuscript that celebrates moments of beauty and that longs, that trembles and hesitates before the fact that there is always that one remnant that escapes us, that sticks out from every situation and that never allows us to forget about fragility, about illusion, about possibility and the probability that over time everything dries up and collapses. Nevertheless, he would say that one can feel the thread of resistance to such a given and the strength between the words that elevates us above the hesitation in the face of premature surrender. In the words of psychoanalysis, it is the handwriting that celebrates the subject's inherent lack and its indelible symptom.