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Politics and Aesthetics of the Female Form, 1908-1918
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283 b
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This book examines the pictorial representation of women in Great Britain both before and during the Great War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the First World War, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's line of beauty are explored, and their legacies assessed and followed through into the twenty-first century. In this way Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literarture and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.
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