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Mischa Kuball (b. 1959, Düsseldorf; lives and works in Düsseldorf) investigates public and institutionalspaces and the social and political discourses that shape them. In piece after piece, Kuballdrains Nolde's works of the colors that made the Expressionist famous, challenging the beholder'spreconceptions and examining perception and its constituent processes. Laid out in black and white,the book accordingly directs our attention not only to what a picture shows, but also to how structuresand organizing principles emerge into view.