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Harold Jaffe is well-known for his docufiction, which is at once personal and detached, serious and satirical, familiar and esoteric. He has been recognized for pinpointing and even aestheticizing the media pathology that informs and increasingly determines our daily lives. In BRUT, Jaffe addresses an extraordinary range of films, writers, painters, philosophers, and “outsider” artists, each with the brevity, clarity, and dramatic understatement that typify his prose. Nina Simone, Marlon Brando, Albert Camus, the Black Panthers, Angela Davis, Jean Genet, Sylvia Plath, Clarice Lispector, Dick Gregory, James Baldwin, Simone de Beauvoir, Mark Rothko, Alberto Giacometti, William Blake, Greta Thunberg, Frantz Fanon, Antonin Artaud, Man Ray, Dada, Che Guevara, John Coltrane, Pasolini … in every instance, it is not just the mind of the artist, but the heart-mind, the felt passion, that Jaffe teases out of his subject with uncanny nuance.
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