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This book explores the relationships and differences between the Water Margin Opera of the Qing Dynasty and the Water Margin Opera of the Yuan and Ming Dynasties by analyzing the three versions of the Water Margin in Qing Dynasty, Xuan He Pu, Hu Nang Dang and Zhong Yi Xuan Tu, author, creation time, content, theme, etc., which has a certain role in promoting the dissemination and derivation research of Water Margin and Water Margin Opera. At the same time, in the form of an appendix, the Xuan He Pu and the first Zhong Yi Xuan Tu that have not been sorted out by predecessors are sorted out to provide reference for further reading and research by researchers.