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Two growers plant one long field from the same gatepost, one at four metres, the other at four metres and twenty centimetres. Every eighty-four metres their trees stand face to face across the lane, and there the fruit comes speckled, heavy and charged, so that it clings to a wool sleeve and sparks at the ladder. Static Orchard is a deadpan station bulletin in ten trials: layouts, dead zones, taste panels, picking protocols, shadows and cold storage, each reported with the dry precision of a field record. The feeling underneath arrives sideways, in the margin notes of two people who share a lane and a trellis and very little else. For readers who love lyrical mock-technical writing, precise images, and books that say the hard thing by measuring something else.
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