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This book is a classic discussion on the aesthetic nature of film music and a theoretical classic for the critique of the cultural industry in the 20th century, from the specific issues of film music practice to sociological and aesthetic analysis, which is in-depth and thorough. Adorno examines the relationship between film and music, natural and artificial sounds, while exploring new possibilities for cultural politics.
Ahoj! Som Libroamiko, tvoj knižný radca.
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