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This prophetic novel, published in 2018, foresaw the clash between two sister civilizations in the heart of the West, on the Ukrainian border, as values became irreconcilable. He sets the events of September 11, 2001 as the cornerstone of the war launched by the tectonics of the new world order, expansionist by nature.
This novelistic UFO deals poetically with the structural evolution of nanotechnologies and the inexorable dematerialization of the world, through the prism of the conjectural upheavals of neoliberalism on the social and personal life of Jacques, a Parisian, an ordinary citizen tossed about beyond globalized borders.
It's a story at the level of the man in the great story, a critical and uncompromising look at the relationship between the heirs of the Eastern Roman Empire and those of the Western Roman Empire, part of the eschatology of a much deeper struggle over the relationship between men and their own moral condition. And what if the author's prophecy, discovered at the dawn of the conflict in Ukraine, hid other secrets to come? This first volume of allegorical fiction is full of proposals for the future of the world. The story can be read on several levels: as a surrealist work, a Magritte painting, Russian dolls, or mirrors facing each other, offering drawers of a prophetic nature, or at least historical and scientific anticipation.
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